From the pocketable 6K G2 to the URSA Cine 12K digital film camera, Blackmagic cameras punch far above their price. SHTS sources the line — and helps you match sensor, mount, and media to the way you actually shoot.
Handheld doc, studio multicam, or high-end cinema — the right Blackmagic body depends on sensor, mount, media, and workflow. Here’s the map.
Super 35 6K sensor, EF mount, and a big touchscreen in a handheld body. The go-to for docs, indie cinema, and a compact B/C-cam. Records Blackmagic RAW to CFexpress or an external SSD.
A full-frame 6K sensor in an L-mount body with a huge HDR touchscreen, generous dynamic range, and dual-slot media. The step up when you want full-frame look and lens flexibility.
A large-format 12K sensor, PL/LF lens support, built-in ND, high-capacity Blackmagic Media Module, and a body built for serious production. When the job calls for a true cinema camera, this is the Blackmagic answer.
Talk to a broadcast camera shader — sensor, mount, matching multiple cameras, and getting them to cut together on a live switcher. Real production insight, not a spec sheet.
The CFexpress/SSDs, batteries, cages, and mount adapters that make the camera shootable — quoted alongside the body so nothing’s missing on day one.
Serving LA, Burbank, Glendale, and Southern California — fast quotes and a real engineer on the phone.
Cut your cameras live — the switcher matched to your camera count.
Record & playback for your camera feeds.
Everything Blackmagic, spec'd as one build.
Tell us how you shoot — handheld, studio multicam, or cinema — and we’ll spec the right body, glass, media, and power and quote it fast.
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