A working selection of the broadcast and production equipment we move most. Prices move with the market, so we quote each item live at distribution pricing — click Request Quote on anything below and it’ll pre-fill your request. Don’t see it? We can almost certainly source it.
This is only a sample of what we carry. Our distribution access spans the full broadcast, video, and technology supply chain — if you don’t see it here, we can almost certainly source it. Request a quote for more inventory →
Miniature 1×6 reclocking DA for 4K/UltraHD single-link workflows. Six separately buffered outputs identical to the recovered input, with auto input detection and cable equalization.
1×6 reclocking distribution amplifier for 3G/HD/SD-SDI signals. Six independently buffered outputs, automatic input rate detection, and cable equalization — the workhorse DA for HD and 1080p60 signal fan-out.
Professional file-based recorder/player for broadcast and production. 12G-SDI and HDMI I/O with Apple ProRes recording to removable media — ideal for ISO recording, playback, and archive on set and in the truck.
Rugged solid-state media for AJA Ki Pro recorders. Available in multiple capacities to match your record format and runtime. Order spares so a full card never stops the shoot.
Compact HDMI live production switcher with built-in streaming and recording. Four HDMI inputs, hardware streaming engine to RTMP, and USB webcam out — the go-to for events, corporate, and multicam streaming.
Flagship 2 M/E live production switcher with 40 12G-SDI inputs, multiple keyers, DVEs, media players, and multiviewers — built for large-scale HD, 4K, and 8K broadcast productions.
The SDI flagship of the compact ATEM line: 8 3G-SDI inputs with ISO recording of every input plus the program — built for broadcast and multicam events that need a full post-edit safety net.
Broadcast-grade recorder/player for playout and record in trucks, flypacks, and studios. Records H.264, ProRes, and DNxHD to SD/UHS-II cards and external USB disks.
The standard on-camera monitor-recorder: 5” 1000-nit HDR display with ProRes and ProRes RAW recording to SSD — a staple on gimbals, cine rigs, and interview setups.
Two converters in one tiny box: simultaneous SDI→HDMI and HDMI→SDI conversion at up to 12G. The most-carried converter in live production — every kit needs several.
The trusted way to get broadcast SDI onto HDMI displays: 12G-SDI in, HDMI 2.0 out, up to 4K60. Rock-solid for client monitors, video village, and display walls.
The Swiss-army knife of converters: HDMI↔SDI cross conversion with built-in scaling and frame-rate conversion, configured from front-panel buttons and an OLED. In every engineer’s kit for a reason.
The broadcast standard for real-time HDR/WCG conversion and frame synchronization, powered by Colorfront Engine — essential where SDR and HDR sources meet in one show.
Standalone dual-channel streaming and recording appliance: take SDI or HDMI in, stream to two destinations and record simultaneously — no computer in the signal path.
Plug-and-play 12G-SDI-to-USB 3.0 capture that just works — no drivers, any OS, any software. The go-to dongle for getting broadcast SDI into laptops, vMix, and streaming rigs.
32 customizable LCD keys for show control — paired with Bitfocus Companion it drives ATEMs, HyperDecks, PTZ cameras, vMix, and more. The de facto control panel of small-crew production.
Industry-standard zero-latency wireless video for camera-to-village links. 6GHz band support cuts through congested RF environments on busy show sites.
Full-duplex wireless intercom with no base station required — headsets talk directly to each other. The fast, affordable comms solution for small crews and corporate shows.
Budget-friendly 4K wireless video for monitoring and directors’ carts: HDMI & SDI, 450ft range, and app monitoring for clients on set.
The workhorse PTZ for corporate, worship, and hybrid events: 4K over NDI|HX, SDI, HDMI, and USB simultaneously, with PoE and auto-tracking built in.
Broadcast-quality miniature POV camera for drum cams, sideline angles, podiums, and tight spots. Genlock-capable sensor block with interchangeable M12 lenses.
Daylight-viewable 7” touchscreen field monitor running SmallHD OS: LUTs, scopes, and frame guides for directors, DPs, and camera carts.
The AV industry’s go-to network switch: pre-configured profiles for NDI, Dante, and AES67 out of the box, engineered specifically for AV-over-IP deployments.
Reliable 90Wh V-mount power for cameras, monitors, and wireless kits — airline-friendly capacity with accurate runtime readout. Fleets of these move through every rental house.
Spec guidance and fast quotes on the gear we sell most — each with engineer-level buying advice.
1×6 12G-SDI distribution amplifier for 4K/UHD fan-out.
Mini Pro, SDI Extreme ISO, Constellation 8K — pick the right one.
ProRes record/play over 12G-SDI, plus Pak media.
HDMI/SDI cross converter with scaling & frame-rate conversion.
This is a slice of what we move. Tell us the make/model — or just the spec — and we’ll source it and quote it fast.
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