A working selection of the broadcast and production equipment we move most. Prices move with the market, so we quote each item live at distribution pricing — click Request Quote on anything below and it’ll pre-fill your request. Don’t see it? We can almost certainly source it.
This is only a sample of what we carry. Our distribution access spans the full broadcast, video, and technology supply chain — if you don’t see it here, we can almost certainly source it. Request a quote for more inventory →
Miniature 1×6 reclocking DA for 4K/UltraHD single-link workflows. Six separately buffered outputs identical to the recovered input, with auto input detection and cable equalization.
1×6 reclocking distribution amplifier for 3G/HD/SD-SDI signals. Six independently buffered outputs, automatic input rate detection, and cable equalization — the workhorse DA for HD and 1080p60 signal fan-out.
Professional file-based recorder/player for broadcast and production. 12G-SDI and HDMI I/O with Apple ProRes recording to removable media — ideal for ISO recording, playback, and archive on set and in the truck.
Rugged solid-state media for AJA Ki Pro recorders. Available in multiple capacities to match your record format and runtime. Order spares so a full card never stops the shoot.
Compact HDMI live production switcher with built-in streaming and recording. Four HDMI inputs, hardware streaming engine to RTMP, and USB webcam out — the go-to for events, corporate, and multicam streaming.
Flagship 2 M/E live production switcher with 40 12G-SDI inputs, multiple keyers, DVEs, media players, and multiviewers — built for large-scale HD, 4K, and 8K broadcast productions.
The SDI flagship of the compact ATEM line: 8 3G-SDI inputs with ISO recording of every input plus the program — built for broadcast and multicam events that need a full post-edit safety net.
Broadcast-grade recorder/player for playout and record in trucks, flypacks, and studios. Records H.264, ProRes, and DNxHD to SD/UHS-II cards and external USB disks.
The standard on-camera monitor-recorder: 5” 1000-nit HDR display with ProRes and ProRes RAW recording to SSD — a staple on gimbals, cine rigs, and interview setups.
Two converters in one tiny box: simultaneous SDI→HDMI and HDMI→SDI conversion at up to 12G. The most-carried converter in live production — every kit needs several.
The trusted way to get broadcast SDI onto HDMI displays: 12G-SDI in, HDMI 2.0 out, up to 4K60. Rock-solid for client monitors, video village, and display walls.
The Swiss-army knife of converters: HDMI↔SDI cross conversion with built-in scaling and frame-rate conversion, configured from front-panel buttons and an OLED. In every engineer’s kit for a reason.
The broadcast standard for real-time HDR/WCG conversion and frame synchronization, powered by Colorfront Engine — essential where SDR and HDR sources meet in one show.
Standalone dual-channel streaming and recording appliance: take SDI or HDMI in, stream to two destinations and record simultaneously — no computer in the signal path.
Plug-and-play 12G-SDI-to-USB 3.0 capture that just works — no drivers, any OS, any software. The go-to dongle for getting broadcast SDI into laptops, vMix, and streaming rigs.
32 customizable LCD keys for show control — paired with Bitfocus Companion it drives ATEMs, HyperDecks, PTZ cameras, vMix, and more. The de facto control panel of small-crew production.
Industry-standard zero-latency wireless video for camera-to-village links. 6GHz band support cuts through congested RF environments on busy show sites.
Full-duplex wireless intercom with no base station required — headsets talk directly to each other. The fast, affordable comms solution for small crews and corporate shows.
Budget-friendly 4K wireless video for monitoring and directors’ carts: HDMI & SDI, 450ft range, and app monitoring for clients on set.
The workhorse PTZ for corporate, worship, and hybrid events: 4K over NDI|HX, SDI, HDMI, and USB simultaneously, with PoE and auto-tracking built in.
Broadcast-quality miniature POV camera for drum cams, sideline angles, podiums, and tight spots. Genlock-capable sensor block with interchangeable M12 lenses.
Daylight-viewable 7” touchscreen field monitor running SmallHD OS: LUTs, scopes, and frame guides for directors, DPs, and camera carts.
The AV industry’s go-to network switch: pre-configured profiles for NDI, Dante, and AES67 out of the box, engineered specifically for AV-over-IP deployments.
Reliable 90Wh V-mount power for cameras, monitors, and wireless kits — airline-friendly capacity with accurate runtime readout. Fleets of these move through every rental house.
Compact conversion, distribution, and fiber modules that solve the problem you find at 2am in a flypack. Configurable over yelloGUI, rackable in a 1RU frame with redundant power. See the full LYNX yellobrik dealer page →
Takes an HDMI 2.0 source to clean single-link 12G-SDI. The module you reach for when a laptop, playback machine, or camera HDMI output has to join an SDI infrastructure without compromise.
The reverse path: 12G-SDI down to HDMI for a consumer display, projector, or confidence monitor. Auto-detects the input standard so it just works when the truck is already rolling.
Bi-directional 12G-SDI over single-mode fiber in one small brick. The honest answer when the camera position is 400 feet from the truck and coax is not going to make it.
Seven reclocked 12G-SDI outputs from one input in a throw-down module. More outputs per brick than most miniature DAs, which matters when multiviewer, record, and monitoring all need the same feed.
Bridges single-link 12G and quad-link 3G in either direction. The fix when new 12G gear has to talk to an existing quad-link 3G router, or the other way round, without re-cabling the rack.
Puts four optical channels down a single fiber strand using CWDM at 1270–1330nm. When you have one fiber run and four signals to move, this is the module that makes the venue work.
Broadcast and production monitoring from field to rack to reference. Spec'd by someone who has shaded cameras off these panels. See the full TVLogic dealer page →
A 42.5” 10-bit IPS panel at native 3840×2160 with 500 nits and HDR EOTF support. Deep input complement makes it equally at home as a video wall display, a director’s monitor, or a reference panel in post.
The larger sibling to the 430M3 for client viewing, stage confidence, and lobby or venue displays where a broadcast-grade panel beats a consumer TV that mangles the image.
High-nit field monitoring that stays readable in daylight. For camera operators and DITs who need real exposure tools outdoors, not a dim panel with a hood taped to it.
An 18.3” panel that fits the rack-and-cart sweet spot: big enough to judge focus and color, small enough to live in a flypack. The everyday monitor in a truck or control room.
Spec guidance and fast quotes on the gear we sell most — each with engineer-level buying advice.
1×6 12G-SDI distribution amplifier for 4K/UHD fan-out.
Authorized BMD reseller — the full Blackmagic line, spec'd by an engineer.
Mini Pro, SDI Extreme ISO, Television Studio, Constellation HD/4K/8K.
Studio HD/Pro/4K broadcast record & playback decks.
Pocket 6K G2, Cinema 6K, URSA Cine 12K — shader-spec'd.
Micro/Mini converters, SDI DAs, optical fiber, Teranex.
Smart Videohub 20x20 to Universal — right-size the matrix.
SDI/Studio/Duo capture & playback — card + production PC.
SmartView/SmartScope monitoring, Web Presenter, Video Assist.
ProRes record/play over 12G-SDI, plus Pak media.
HDMI/SDI cross converter with scaling & frame-rate conversion.
M4250 & M4300 managed switches — the AVoIP, NDI & Dante network backbone.
Authorized Lightware reseller — MX2 modular matrix, MMX hybrid & UBEX AV-over-IP.
This is a slice of what we move. Tell us the make/model — or just the spec — and we’ll source it and quote it fast.
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